Music videos

Video clips showcase the cinematic mode of the iPhone 13


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Video clips showcase the cinematic mode of the iPhone 13

The iPhone 13 is new Cinematic Mode has been making headlines lately with the new horizons it has opened up to the iPhone family when it comes to cinematography.

In short, this new mode uses the powerful A15 chipset and flagship series neural engine to be able to continuously recalibrate the lens aperture and focus to track a subject while shooting a video. It can also intelligently choose when to shift focus to a different subject, if the scene demands it (for example, if a person walks into a room or starts talking).

This element of background blur, adding a tasteful depth of field, may have been present on the iPhone’s portrait mode photo feature from the start, but making it work in real time while filming an image. HD video is an incredibly processor-intensive feature that was not easy to integrate into the iPhone 13 because Apple spoke recently.

While cinematography is a highly skilled profession that requires extensive mastery in general, Apple was hoping to allow even amateur smartphone videographers to play around with professional-style filming with the cinematic mode.

One of the undeniable advantages is the freedom of post-processing it offers, because even after shooting you still have the option to tinker with the focus and readjust it as you like, in the editing software. Apple video afterwards (like iMovie on iPhone or Final Cut Pro on MacBook).

One YouTuber has taken advantage of cinematic mode before, showing off his abilities

This has already caught the attention of music video makers, namely the YouTube channel Jonathan & Friends, who have come out and shot a few good looking music videos using only the iPhone 13 Pro, mostly in wide-angle cinematic mode.

The first clip, “Falling in Love”, highlights most of the new capabilities of the new shooting mode, as the wide-angle lens does a good job of keeping the subject in focus and tastefully blurring the picture. background behind (the degree of blur is also something that can be controlled by the user). Dolby Vision HDR color grading, rendered frame by frame, definitely contributes to the impressive cinematic effect.

Stabilization can be really appreciated in some of these shots, especially since the videographer simply held the phone in the palm of his hand as he walked backwards, filming the subject continuously (as can be seen in various parts of the video).

As impressive as the cinematic mode is, some of its limitations can also be easily noticed while watching “Falling in Love” by Jonathan & Friends. For one, the maximum resolution is 1080p at 30 fps, while the iPhone 13’s camera can technically go up to the now industry standard 4k and 60 fps (yes, at the same time).

Cinematic mode doesn’t seem to work very well in less well-lit environments either, as towards the end of the video – as dusk falls and the light dims considerably – you can notice artifacts occasionally hovering around the head of the topic while it goes down. the street.

Cinematic mode is not that cinematic in low light

Another clip, also directed by Jonathan & Friends, points out that Cinematic Mode wasn’t created for low-light situations because Appleinsider points out.
This entire cover of Ed Sheeran’s “Shivers”, featuring Ariel View, was shot against the setting sun on an asphalt road. While this is a tasteful artistic decision regarding the location, Apple isn’t quite there yet to deliver the best video footage from such a difficult setting. For photos, yes, but video, maybe not that much.

As can be seen throughout the second video, the camera sometimes struggles to find the right focus, as well as dealing with the difference in contrast, resulting in blurry borders and lack of clarity. around the subject’s silhouette.

However, it’s important to remember that Cinematic Mode on the iPhone 13 series is still a first-gen feature, with plenty of room for improvement going forward. Chipsets will only get more powerful, and Apple will be sure to learn and improve on the shortcomings we are currently seeing in Cinematic Mode in its current form.


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